Thursday, December 16, 2010

Kanimozhi and Gasper Raj


It is not 2G, it is 2J or rather 2 Rajas in scam-light as far as Kanimozhi is concerned.
One is A.Raja and another is Gasper Raj!
Raja's association has inexplicable connection from within the family - family means her mother.
But Raj seems to be a business associate.
What is it that brought them together is a curious question.
Certainly not love of Tamil or Tamil culture.
Their stated love for Tamil culture through the conduction of Chennai Sangamam is a farce – something that is known beyond doubt now. 

The Sangamam programme itself got its birth around the time Karunanidhi adamantly changed the Tamil New Year's day from Chitthrai to the month of Thai (On Makar Shankaranthi). To add glitter to that event, Chennai sangamam was promoted.


If Kanimozhi is really a lover of Tamil arts, she should have accepted the offer of Tourism by – who else, our extra constitutional authority called Niira Radia whose diktats were accepted by our Prime minister!

The taped conversation showed that Kani was not interested in Tourism!
A lover of culture would have craved for it, but not Kanimzohi.
Radia further tells how Tourism goes with temples and culture.
Was that reason for Kanimozhi's lack of interest?

Read those parts of the conversation here:-


Kanimozhi:  What are they planning to give for me? 

Niira Radia:  I told you last night. I called after we spoke and I said that, you know, look at the health option. But give her environment and forest otherwise if the health is not there, independent charge or consider the aviation one. You know, that's the three I had said, you know, what else there was, there. So, they weren't sure. [Indiscernible] [0:00:52] pass the message and they will talk with you because they didn't want to...

Kanimozhi:  Even tourism  is not worth it.

Niira Radia:  Tourism independent charge they will not give you Kanni because Ghulam Nabi Azad has still not given his, he wants something more than what you call it. He has got only parliamentary affairs, you know.

Kanimozhi:  Okay.

Niira Radia:  They don't want to give MP more than that.

Kanimozhi:  Okay.

Niira Radia:
  That's why. So, I did mention tourism because I don't know because they will keep it up to cabinet post.

Kanimozhi:  Okay.

Niira Radia:  I didn't know whether they will [Indiscernible] [0:01:22] because if tourism and culture together.

Kanimozhi:  Yeah.

Niira Radia:  It's got both the – we'll get involved in all the umbrella of temples and, you know, all this such thing [Indiscernible] [0:01:35] if you want to but anyway, I mean like tell them now if you want. But I didn't tell them…


************

The articles given below show how Gasper also is not a lover of Tamil culture for the sake it. He has other aims.  Tamil and its culture are only means that can be exploited to make money. For one who blamed the lyrics of Thiruvasakam for the failure of the music album he promoted, Tamil or its culture is hardly an object of attraction but for the money spinning potential that it could give him.

So it is not Tamil nor Tamil culture that brought the two together.
Then what else was common between them?
Was it his LTTE connections?
But then Kanimozhi can have no greater interest in that than playing a Radia between her father and the LTTE / Gasper.
This is one angle that would be of national importance.

But personally what did she get out of it?
Will the CBI raids really unearth that gain for which she associated with Gasper and his Tamil Maiyyam?

*****************

Given below are the excerpts from 2 different articles published between 2007 and 2009.
They give an idea of Gasper's activities. Leaving it to the reader's judgment what Kanimozhi could have to do with that man.

Excerpted from



Is 'Tamil Eelam' a Christian agenda? 
By
 B R Haran
29 Apr 2009


When the Father Jagat Gasper Raj-Kanimozhi combine floated the "Chennai Sangamam" cultural extravaganza in 2007, Jaya TV went to town with investigative reports on the LTTE connections of Gasper Raj; Jayalalithaa wasted no time condemning the government's association with the project. But last year, both Jayalalithaa and her TV channel kept a conspicuous silence during the Chennai Sangamam festival.

During the last week alone, Father Gasper Raj has been promoted by mainstream electronic media as a representative of Sri Lankan Tamils! Participating in debates on electronic news channels, he blatantly supports LTTE in the guise of voicing human rights concerns, criticizes the Indian government, and in one debate on Times Now Channel had the audacity to call Dr. Subramanian Swamy a "paid agent of Rajapakse"! Yet it is unclear if he is a Sri Lankan refugee or an Indian citizen. His antecedents and present activities in India/Tamil Nadu need thorough investigation.

************

Excerpted from

Admin
18-03-2007

"Crorepathy" Fr. Jegath Gasper Raj main link for Tigers in India

Tamil Tigers and the Church consider Fr. Gaspar Raj as their latest pop priest. 'It is a story of rags to riches and from obscurity to political connections and fame," said an Indian commentator. 


Political observers state that
Fr. Gaspar Raj was responsible for bringing the Tamil Nadu Chief Minister to come closer once again to the Tamil Tigers, banned in India


Fr.Gaspar Raj sudden rise to prominence began when he joined the Tamil language broadcasting division of Veritas Radio broadcasting to
Asia. This radio runs program in Bahasa (Indonesia), Mandarin, Bengali, Sinhala, Burmese, Tamil, Filipino, Telugu, Hindi, Urdu, Kachin, Vietnamese and Karen languages.


For sometime the Tamil Tigers left him alone but renewed their connections in recent months. He is now seen as the conduit through which millions of Indian rupees flow into the hands of the movers and shakers of the Tamil Nadu and Indian politics in general.


 Chief Minister M. Karunanidhi's daughter Kanimozhi is the coordinator. Joinlty they Father Gaspar Raj is the founder of the Tamil Maiyam, a non-profit organization. Tamil Nadu organized the "Chennai Sangamam" (a cultural extravaganza) in the city which has drawn flak for its Tamil Tiger links.


The Jaya TV, (which has AIADMK chief Jayalalitha's patronage), which is opposed to the Tamil Tigers, telecast a 30-minute program on 04 March focusing on Fr Gaspar Raj sharing the platform with Nachimuthu Socrates, one of the senior fund-raisers for the Tigers. 


The TV program highlighted that Socrates was among the eight arrested by the US Federal agents in August last  year. American authorities have accused him of plotting to buy surface-to-air missiles for the Tamil Tiger rebels by bribing the US State Department officials. One of objectives was to bribe US officials to get the banned Tamil Tigers struck off the list of US terrorist organizations. 


The program had also raised uncomfortable questions about Father Raj playing an important role in the state-sponsored Chennai Sangamam. The channel also questioned the 'Government Order' that had given Kanimozhi access to unlimited funds for her cultural programs.


Does Fr. Jegath Gaspar Raj was born into a low-middle class Catholic family in Nagarkovil, located in Tamil Nadu, India. He was in the early days a parish priest in a remote village in the Kanniyakumari district.


Later he joined 'Radio Veritas' as director of the Tamil service, roughly during 1995 -2001. He began working for Radio Veritas on a monthly salary of US $200.00. His accumulated assets have earned him the title of a 'Crorepathy' today. …………….


Tigers decided to make use of Fr. Jegath Gaspar Raj for collection of funds as he was an able orator. He was also a colorful figure with his unusual (Cossack) dress for a Catholic clergyman. 


Seeing his potential Tigers arranged visits for him in several European capitals. He was invited to collect funds for the Tamil Rehabilitation Organization, banned in some countries as the arm of the Tiger fund collections.


In the meantime, he arranged the rebroadcast of the Veritas Tamil programs in the then popular TRT Tamil Alai Radio, and used it to build a formidable link between himself and the Tamil Diaspora.


During this time the Tigers were running their own Radio IBC in
Europe. Fr. Gaspar Raj announced that Veritas radio as well as the TRT Radio would jointly run programs for the collection of funds for the welfare of the Eelam Tamil orphans. Tigers have never engaged outsiders to collect funds from the Tamil Diaspora or welcomed welfare schemes put to them by others. When the Tiger leaders in Paris vehemently opposed this move of Fr. Jegath Gaspar Raj, he was forced to contact Tiger leaders in Vanni for the approval for his proposal to collect funds appealing through the airwaves. 


Even S.S. Kuhanathan, who continuously resisted the Paris, based LTTE leaders, joined hands with Fr. Jegath Gaspar Raj in the hope that he might be able to establish contacts with the Tiger leaders in the Vanni. 


Fr. Jegath Gaspar Raj and Kuhanathan appeared in the TRT Television and appealed through TRT Radio to raise funds for the Tamil orphans in the Vanni. TRT, however, was very cautious about raising funds with Fr. Gaspar Raj and insisted that he collects his funds in a separate bank account as this appeal for funds had nothing to do with the TRT organization. Then Fr. Jegath Gaspar Raj opened up a bank account in his name in Credit du Nord bank in
Paris and channeled the funds into that bank account.


It is estimated that Fr. Gaspar Raj's appeal led to a collection of nearly a million of dollars. According to a source in the
Paris, his Paris bank account alone collected a little over US$ 600,000. However the appeal for funds continued in TRT TV and Radio urging Tamil Diaspora to send in their donations not only to Fr. Jegath Gaspar Raj's the bank account in Paris but also to his bank account in Manila.


Later it transpired, according to TRT Radio and TV broadcasts, that the moneys sent to Fr. Jegath Gaspar Raj's Paris Bank account was subsequently transferred to his
Manila bank account


So far Fr. Jegath Gaspar Raj has neither disclosed the total amount of money he received on behalf of the Tamil Orphans in Vanni nor announced how much he has paid out of the total collection to the Tamil orphans and to whom he has given that money.



In the meantime, TRT Radio and TV stations were acquired by the Tigers and at the same time Fr. Jegath Gaspar Raj left Veritas Radio and went back to reside permanently in Tamil Nadu .


In another appeal launched in
Canada on 14 January 2001, through radio stations in Toronto, Canada, it is reported that he collected around US $ 500,000.00. All these funds were raised selling the plight of the Tamils orphans to the Tamil Diaspora in Canada. With his oratorical skills he was successful in convincing the Tamils in the Diaspora to part with their money for Tamil orphans. He spent most of his last three years at Veritas overseas campaigning for funds. 


After settling down in Tamil Nadu India he launched Tamil Maiyam in 2002. He is the Managing Director. It is located in the St. Thomas Building, Santhome Communications Centre in Mylapore, Chennai 600 004. Tamil Maiyam is a '80-G tax- exempted charitable organization. 


Tamil Maiyam was founded in
Chennai, India, in July 2002 by Fr. Jegath Gaspar Raj and his friends as a non-profit organization to promote Tamil arts, literature and culture with special emphasis on Research, Creative productions and Publications. It also claimed that it aimed to bring the fruits of modern science to the ordinary Tamils and create a platform for Tamils living in various parts of the world to interact and work together for the betterment of Tamil language and Tamil society. 


The Board of Trustees are: Rev. Fr. Jegath Gaspar Raj Managing Trustee, Tamil Maiyam, Fr. Lourdu Anandam, Ms. Akhila Srinivasan, Mr. K. Pandia Rajan, Mr. Jerard, Mr. Joseph Enok, Ms. Latha Pandiarajan Ms. Kanimozhi-, Mr. Arun Veerappan and Fr. Vincent Chinnadurai. 


Subsequently he launched Goodwill Communications Limited (GCL) to produce and provide program for the Tamil television industry. The company was formally launched at a function which was chaired by writer Sujatha. Fr Jegath Gaspar Raj, the chairman and managing director of Tamil Maiyam, is also the managing director of GCL. Throgh these insitutions and with the funds collected in the name of the Tamil orphans he has managed to buy his way into the political establishment in Tamil Nadu. 


One of Fr. Jegath Gaspar Raj's project was to present a musical rendition of the Tamil literary classic, Thiruvasakam 


Fr. Jegath Gaspar Raj approached Ilayaraja, the maestro in music, and he in turn seized the opportunity. The music was recorded partly in India (Chennai and Mumbai) and partly at the over 100-year-old Budapest Symphony Orchestra, Hungary.


The album has six songs including a unique 18-minute composition that alternates between Tamil and English lyrics, sung in choral style.

Thiruvasakam has the voices of Ilayaraja, his daughter Bavatharini and Benny Diggs. Over 300 musicians, including 140 instrumentalists and 60 chorus singers were involved in making this album.

It is said that Ilayaraja has not taken Maiyam. any remuneration to produce the album, but holds 50 per cent of its rights. The other 50 per cent is with Tamil


The total cost of the project is Rs 1.4 crore, of which 70 per cent funding has come through high cost debt. A total of Rs 1.1 crore has been spent on production.


Unfortunately Fr. Jegath Gaspar Raj failed financially in this Thiruvasakam project.


'Thiruvasakam' by maestro Ilayaraaja, the first ever Indian Symphonic Oratorio was launched for sale on June 30, 2005 at the Music Academy, Chennai, according to Tamil Maiyam.


The funds for this project were raised by the Tamil Maiyam. The total cost of the production is Rs.110 Lakhs of which Rs.35 Lakhs came in as donations and Rs.75 lakhs as borrowings from individuals and banks. Tamil Maiyam is non-profit 80-G exempted charitable organization.
TIS-Foundation USA played a crucial role in mobilizing funds.


The album was presented to the president of India Dr.Abdul kalam on
June 17, 2005 at the Rashtrapathi Bhavan by Ilayaraaja accompanied by the Tamil Maiyam team. Dr. Abdul Kalam listened to the Oratorio song in the presence of Ilayaraaja and complimented it as 'Great, a real contribution to the Indian music and culture'.


Prime Minister Dr. Manmohan Singh received Ilayaraaja along with Vaiko and the Tamil Maiyam team on June 18 in
New Delhi. While complementing the 'Thiruvasakam' effort he unde4rlined the fact that culture is the core strength of our land.


Ilayaraja and the delegation also met with the former Prime Minister Atal Bihari Vajpayee and Deputy Prime Minister L.K Advani respectively and presented the album.

In a press release issued by the Tamil Maiyam, Fr. Gaspar Raj says that this is the first music that transmits eastern music seamlessly into a western Symphonic singing.


In the meantime one Dr. Vee has disputed Fr. Gaspar Raj false Symphony claims.

Fr. Gaspar Raj started his Thiruvasakam project with the title 'Thiruvasakam in Symphony' for soliciting funds. In US was titled 'Thiruvasakam in Symphony
USA'.

The official web page for the
US activities of Thiruvasakam in Symphony. [index.html/www.tis-usa.com].

Rev.Fr. Gaspar Raj's Tamil Maiyam website home page also projected his project as 'Thiruvasakam in Symphony'. 


All newspapers including "The Hindu" [
June 6, 2005] praised this project as 'Thiruvasakam in Symphony'.


But Ilayaraja explained in his interview to "Ananda Vikatan', a Tamil language weekly, that he did not render Thiruvasakam in symphony and clarified that he had employed the musical form Oratorio in the Thiruvasakam project. Misled by unethical marketing many innocent buyers still believe that Thiruvasakam is now rendered in symphonic music. .



It is an accepted norm in music that vocal renditions are not a part of symphonic music. A Symphony is purely a composition for instruments, and very rarely voices are added as in the case of Beethoven's 9th Symphony (Ode to Joy) in the fourth movement. In some of Mahler's Symphonies voices are added.


Western Music does not have a musical form called 'symphonic oratorio'. Symphony and Oratorio are two different musical forms.


After Ilayaraja's interview clarifying that he did not render Thiruvasakam in Symphony, Rev.Fr.Jegat Gaspar Raj changed the label of his music in his Thiruvasakam project from 'Symphony' to 'Symphonic Oratorio'.


While announcing a project "Mozart meets
India", Tamil Maiyam founder Rev.Fr.Jegath Gaspar Raj had called his Thiruvasakam project as "Thiruvasagam - Symphonic Oratorio" [18 March 2006 News Update Service, The Hindu and Deccan Chronicle 19 March 2006].


Rev.Fr.Gaspar Raj producer of the Thiruvasakam project had misled music students of
India that Symphonic Oratorio was a Western Musical form and Ilayaraja had used that form to render Thiruvasakam. Being a Catholic priest with a background in Western music, he should have known that Western music does not have a musical form called 'symphonic oratorio'.


As a producer Fr.Jegat Gaspar Raj failed to do proper ground work for his project, misled Ilayaraja to undertake this miguided project and misused Ilayaraja's musical fame to gather funds and market this product cheating innocent buyers most of whom bought this product believing it to be 'Thiruvasakam in Symphony'.


It is unfortunate that the Indian President, Prime Minister and other VIPs had become victims by felicitating this project, a black mark in the history of Indian music. Dr. Vee wrote an email letter "Subject:
India's First Symphony?" on August 20, 2006 to the Members of Parliament, protesting against the error of the President and Prime Minister in felicitating "Mozart meets India" as a symphony.


The defects are related to the confusion in the musical forms employed, music interval, wrong choice of vocalist and musical aesthetics. 


Rev.Fr.Jegat Gaspar Raj's Thiruvasakam music project involved two different kinds of music, Western Classical and Carnatic. Western Classical and Carnatic music have different kinds of music intervals.


In Western music, keyboard and fretted instruments follow equal temperament. Violinists and vocalists unaccompanied by equal temperament instruments in Western Music may follow just intonation. The intervals of Carnatic music will be different from these. Hence any music project involving Western Classical music and Carnatic music must take into account these differences and work out a compromise. Then the musicians must be trained in this scheme. Recording must start after completing these formalities. Ilayaraja's Thiruvasakam does not appear to have followed these procedures. Brochures accompanying such projects must explain these procedures. A computer based objective investigation will bring out all these shortcomings, a valuable project for music research students. 


The next shortcoming in this project is the employment of Ilayaraja's voice, which suits well for folk and film music. [eg.'Thenpandi Seemaiyele' in 'Nayakan']. But his voice will not be suitable for classical music like Carnatic music.

For spiritual chanting of Thiruvasakam, voice of experienced Othuvars [a special category of persons trained in chanting Saivite devotional text] will be good. For musical rendering of Thiruvasakam, voices of well-trained and experienced Carnatic vocalists will be good. The voice of Ilayaraja does not belong to either category.

Also this project failed to follow the traditional musical way of handling the Tamil words in Thiruvasakam. Instead of conceding these defects in his project,
Rev.Fr.Jegath Gaspar Raj had blamed the Tamil lyrics of Thiruvasakam for the failure of his product. [Asian News Service- Chennai, March 20, 2006; 18 March 2006 News Update Service; The Hindu and Deccan Chronicle 19 March 2006]. 


This means he had proceeded with his project without realizing the music potential of the Tamil lyrics of Thiruvasakam and hence had used Ilayaraja's voice for singing the Tamil lyrics thereby damaging the music richness. Without realising his mistakes, Rev.Fr.Jegath Gaspar Raj had blamed the Tamil lyrics of Thiruvasakam for the failure of his project.


Apart from these, there are problems related to finer aspects of musical aesthetics of Western Classical Music and Carnatic music in such projects.

Rev.Fr. Gaspar Raj had recently announced a new project called 'Mozart meets
India'. He had claimed that it would be India's first symphony. [Indo-Asian News Service - Chennai, March 20, 2006, New Indian Express, 19-3-2006]. He had not revealed who would be its composer. He had called it as 'orchestral symphony'.

His previous project also started with the title 'Thiruvasakam in Symphony '. Rev.Fr. Gaspar Raj supported Ilayaraja's claim of composing
India's first symphony in 1993.

After misusing the words symphony and 'symphonic oratorio', Fr.Gaspar Raj started misusing 'Mozart' in his current project 'Mozart meets
India'. He said: "The compositions do not directly correspond or relate to the creations of Mozart. The title is more allegoric as we consider Mozart the greatest composer of symphonies."(The Hindu- Aug 2,2006). Also he had identified it as "a global symphonic soundtrack based on six Carnatic ragas, Kapi, Sindhubhairavi, Panthuvarali, Sankarabharanam, Bilahari and Hamsanandhi," (The Hindu- Aug 2,2006). Is the above mentioned word 'symphonic' "more allegoric" as it may not 'not directly correspond or relate to' the six Carnatic ragas? From the above, there can be only two possible conclusions. Either Rev. Fr. Jegat Gasper Raj does not know what is symphony, or he just misuses the words 'symphony' and 'Mozart' to get funds and market his product, unaware of the damages to the aesthetics of the music field and especially to music education in the process. 


Unfortunately for Fr. Gasper Raj, Thiruvasagam did not attract the Sri Lankan Diasporas attention and subsequently it was financially a debacle. 


He was heard lamenting that if he could have made Tamil music maestro Ilayaraaja to direct and sing Tigers songs he could have reaped a few crores as profit. 


When he failed to win the support of the Sri Lankan Tamil diaspora he tried to win over the support of the Brahmins, but he again failed miserably. When he was openly supporting the LTTE he criticized Thuklak editor Cho Ramasamy as well as N.Ram of The Hindu. But when he returned later to win over the support of the Brahmins he failed to win over his erstwhile adversaries. 


In the meantime, when DMK under the leadership of M. Karunanidhi, managed to win back the power in the last elections, Fr. Gaspar Raj moved fast to win the favour of the new Tamil Nadu regime. He won by using Ms. Kanimozhi one of the Board of Trustees and coordinator of the Tamil Maiyam .


Ms. Kanimozhi is the daughter of Tamil Nadu Chief Minister and the leader of the ruling party DMK.

She is also poet and also run `Karuthu', an organization run by her and Karthi Chidambaram, Union Finance Minister P. Chidambaram's son, to espouse freedom of speech, and expression of views. It is said that Karuthu is a non-political organization. Karuthu does not have an opinion on its own; nor does it reflect collective opinion. This is a forum for people to express their opinions in a decent manner. Karuthu is not constrained in any manner by religion, caste, and creed; nor is it shy of any subject. Politics, philosophy, contemporary understanding of history, social issues and all matters may be discussed here. One may also take a contrary view. The only requirement is that there should not be any personal attack. 


This was the time LTTE wanted to make their presence felt in
India again. Tamil Tigers were getting disenchanted with Vaiko – V,Gopalasamy, the leader of the Marumalarchchi Dravida Munnetra Kalgam (MDMK). 


LTTE leadership, after a lapse of a long period of time, contacted Fr. Gaspar Raj who in turn proved himself as an indispensable person by organizing the meeting of the TNA parliamentary group with the Chief Minister M. Karunanidhi and on the following day the meeting of TNA MPs with Dr. Manmohan Singh, Prime Minister of India.


Political sources claim that millions of Indian rupees changed hands from the Tiger coffers for the arrangement of these meetings.

 


The Manmohan – Sonia strategy


From


http://www.indianexpress.com/news/he-said-she-said/724893/0

He said, she said                     

 

By

 

Pratap Bhanu Mehta

The writer is president, Centre for Policy Research, Delhi

 

 

 

The responses of Prime Minister Manmohan Singh and Congress President Sonia Gandhi to the extraordinary crisis generated by the 2G scam are exhibiting a brazen indifference to our predicament. Attacking the opposition's double standards and lack of credibility is a fair tactic in an adversarial democracy. But it does not provide any reassurance in the face of the moral anarchy, institutional perfidy, economic complacency and political mismanagement of the current government. In their responses, they have not missed a trick. But they have missed the point. Let us just look at their rhetorical strategies.

 

 

The first element in this strategy is best captured by an old joke that it does not count as a refutation if you refute yourself. The prime minister does this whenever he speaks of a governance deficit, whether it is in the context of Kashmir or administrative perfidy, almost distancing himself from his own government. It has to be said at this point that, with all due respect, "Prime Minister, you are central to governance: you constitute the governance deficit." The Congress president was correct to say that "nor should we do anything that will denigrate the office of the prime minister." This is, again, a resort to an abstraction to avoid dealing with the real problem. Can there be any greater denigration of the office when the prime minister does not appear to be in charge of government?

 

 

The Congress president engages in similar abstractions when she speaks of our shrinking moral universe in the context of corruption. It is a strikingly resonant phrase. But the leader of the ruling party does not have the luxury of an academic discourse on corruption. The shrinking moral universe is not a fact of nature; it is a consequence of decisions taken by leaders.

 

 

The second rhetorical trope in this repertoire is something to the effect that "we will get to the bottom of this".

This invitation to plumb is a clear dark obfuscation. It is inviting us to stare at a bottomless pit of investigations when the basic political questions are clear.

 

Simply put, it is this.

Did the prime minister and the cabinet endorse Raja's actions?

If they did, what was the rationale?

If they did not, what did they do for two years to curb actions that they knew to be wrong?

Answering these questions does not require an inquiry.

It will take the prime minister no more than 10 minutes to set the record straight on these questions. The Congress is asking us to look into the depths because it does not want to look us in the eye.

                                

 

The third rhetorical tactic is an appeal to institutions. The opposition may well be playing brinkmanship when it comes to a JPC. But the simple fact is that the prime minister's demeanour has consistently undermined the authority of Parliament. Even during the well-conducted previous session the prime minister barely spoke in Parliament; he refused to engage in any serious debate or any serious crisis, except the civilian nuclear liability bill. He refused to invest Parliament with the gravitas it deserves. The CVC, P.J. Thomas, may be entirely innocent. But the Congress cannot get away from the fact that it brazenly ignored the one mechanism we have for ensuring that constitutional offices have bipartisan credibility.

 

 

The Congress president also made reference to the fact that her government does not want to "undermine established institutions, such as the PAC and the CBI". There is something deeply disconcerting about this for two reasons.

Why does a JPC undermine existing institutions?

At the very least it does not do it any more than new institutions like the National Advisory Council undermine line ministries.

Does it do it any more than a handpicked single-judge inquiry does it?

The institutional argument has become a disingenuous game; mere references to it are designed to undermine institutions. The references to the CBI are also disconcerting. It is time to ask the government what steps it has taken to restore the credibility of the CBI in the eyes of the public. There is not even a glimmer of acknowledgement that citizens are deeply worried about the CBI.

There is not even the slightest concession to the fact that almost every single institution in government now carries an odour of conspiracy.

Our law enforcement institutions are beginning to resemble an indiscriminate melange of arbitrary powers, randomly exercised. What is frightening about the Indian state is that evidence has no sanctity, arbitrary leaks have become the norm, officers routinely provide a running commentary to plant insinuations, any line of investigation is accompanied by indiscriminate fishing expeditions, and no one seems to acknowledge that citizens have basic rights.

 

 

The appeal to the CBI would be more credible if the government had spent the last few years restoring probity to the functioning of these institutions. It is often said that a measure of corruption is not just the exchange of money. It is the distance and dissimulation rulers exhibit in relation to their own governments. On that measure we have indeed reached a low point.

 

 

The fourth element in this rhetorical strategy is to hide behind the poor — or worse still, allow other Congress leaders to flirt with the communal card. The Congress leadership has to get over the idea that just because it has promulgated a few schemes for the poor, it can be absolved of the larger structural crisis they have produced in the economy.

Even within the terms of their own paradigm, how do they explain that a pro-poor government is now embedded in a nexus of regulatory arbitrariness that has benefited some corporations at the expense often of honest and genuine small business?

What pro-poor policy can explain that it has become nearly impossible to be an honest businessman in this country?

The Congress president is insulting the country by implicitly suggesting that the sense of moral crisis and betrayal large numbers of citizens feel is entirely a product of opposition politics. She was right to point out that the Congress has at least asked some individuals to resign; the BJP cannot even claim that high moral ground.

 

 

But she has to acknowledge that in the current climate those resignations are being seen largely as politically protective measures, designed to absolve the government of responsibility rather than fix it.

And she has not even begun to probe the deeper question: what is the responsibility of the leadership when the country sinks to an unprecedented low?

As for the prime minister:

his worst failing may not be corruption, it may not even be standing idly by.

His worst failing will be that by not coming clean he has undermined any reason to trust so-called good men.



DMK & Congress - the inseparable pair!

The reaction from the Congress and DMK on the CBI raids is on expected lines!!

There is no threat to the alliance and their ties are strong as ever before - This is the assurance we are hearing from the leaders of the 2 parties. As usual, Mr Thangabalu, the chief of TN Congress was the first to declare this. On the side of the DMK, Kanimozhi gave the assurance.


Theirs is perhaps the most amazing example of strong bond ever witnessed anywhere in the world. In Tamil literature, there is one example of a strong bond between a poet called Pisiranthaiyaar and the Chozhan king called Kopperm Chozhan. Till this date this pair has enjoyed the honour as the best friends in Tamil's history. From now onwards their position has been taken up by DMK-Congress friendship. Our poets can start quoting this pair in their compositions. We may not have to wait for long to hear such a composition. May be in a day or two, we can hear Karunanidhi paying rich accolades to the strong ties between DMK and Congress!


DMK has a reason to cling to the Congress. With elections coming near, it can not afford to lose a partner like the Congress.
But what has the Congress to lose?
Under normal circumstances any party in the position of Congress will keep silent or distance itself from the DMK. But no sooner the CBI officials have left the premises of the places raided by them, the Tamilnadu Congressmen have rushed out to express their solidarity with the DMK.


How confident they are that the vote bank that they seem to hold would be blind to the developments that are taking place now on corruption front!
Do they think that a section of  TN  people who have been traditionally inclined to vote for the Congress would continue to do so inspite of the mamooth scam coming to light?
Don't they think for a moment, that the present developments could wipe out whatever vote bank they have now - and even 'spoil' their  reputation as the palanquin bearer of the Dravidian parties in Tamilnadu?


So what gives them the confidence that they would win by staying with the DMK - now tainted badly with corruption charges?
A similar question remains unanswered in National politics as to - what / who gave A. Raja the confidence to disregard the prime minister's reservation in the 2 G allocation.


The answer is the same in both these cases.
There is a saying in Tamil,
கள்ளனும் தோட்டக்காரனும் ஒன்று கூடினால் விடியு மட்டும் திருடலாம்.
It means if the gardener and the thief join hands, they can steal until the day breaks.
The gardener makes sure that no one interrupts while the thief is busy at his job.
The Congress party is behaving in a typical fashion like this gardener.


The day has dawned and everyone knows that the loot has happened and everyone knows who has done that. But the gardener is doing everything possible to exonerate the thief.
The utterances of the Congress politicians are in the lines of the gardener.


Let the Congress remain with the DMK.
That would be the sure proof of their culpability in the loot.
Their leader might proudly proclaim that she wont tolerate corruption and take action against her party people who are accused of corruption.
But if she is serious about corruption, she can not have truck with a party that is corrupt. She can not have alliance with a party tainted by corruption. If she does, it has only one meaning - that she has some stakes in continuing that alliance.
It is the proof of her complicity in the loot as a gardener.


Every time a congressman speaks well of the alliance with the DMK, he / she must remember that such a talk diverts our attention to Sonia for her culpability as a gardener.


Multi-Faceted Role of a Devaalaya (Hindu Mandir)




Multi-Faceted Role of a Devaalaya
(Hindu Mandir)
M.G. Prasad
mgprasad@comcast.net
Maplewood, New Jersey (www.taranga.us)

Introduction:

Sanatana Dharma or Hindu Dharma emphasizes that the ultimate goal of human life journey is to seek and realize the Omnipresent and Omniscient Bramhan, the source of happiness and bliss. However this ultimate goal is achieved through pure mind with efforts such as pursuit of spiritual knowledge, development of true devotion, selfless service, refinement of mind through culture, etc. This journey is successfully accomplished by achieving the four-fold objectives of our life namely Dharma (Righteous knowledge), Artha (Rightly earned money), Kama (Righteous desires) and Moksha (Bliss). In this journey a Devaalaya (or Mandir) has many important roles. In the Vedic scriptures, Agamas, it is said "Deho Devaalayaha Proktaha Dehi Devo Niranjanaha" which means that Devaalaya represents the body of a living human being with God as the Indweller.

The analogous correspondence of the various parts of the Devaalaya to a human being as it provides spiritual insight. The Gopura at the main entrance represents the feet, the prayer hall represents the heart, the entrance to sanctum sanctorum represents the neck, the sanctum sanctorum itself represents the head and the walkway around he temple represents the hands. The walking from outside world to the inside of a Devaalaya represents that a seeker is getting into meditation to dwell upon God within. The various activities such as worship, educational, cultural and service ought to help the seeker-devotee to be able to develop a meditative mind. Then the seeker devotee with meditative mind can travel within through the path of yoga (and mediation) to realize God within. Thus we see that our rishis gave us the devaalaya to be used as a laboratory for our spiritual development. Devaalaya is a very special place that plays a multi-faceted role in the spiritual development of any seeker. However, for Hindus it is essential as it is recommended that one should live in place where there is a temple near to visit often. A brief account of the various roles that a devaaalaya has in a Hindu's life is presented and also how a Hindu can use a devaalaya as a multi-faceted resource is discussed.

Devaalaya as a place for worship (Poojaalaya)
Devaalaya as a place of worship that provides a seeker through devotion both practical and experiential way to subjectively connect to the God through a medium called Vigraha. The term Vigraha means that which specially captures the mind of a devotee. The postures of the vigrahas are based on the yogic visions of the sages. These vigrahas are sculpted, sanctified and worshipped based on the Agamas and meditating on them will help the devotee to advance in spiritual path. In a devaalaya we see that all the five senses namely listening to mantras, offering of flowers, seeing the vigraha, drinking the holy water and smell of incense can be used by a devotee to focus the mind on the worship of the God. The subjective relationship between the devotee and God through worship is very important in the spiritual development. The sixteen offerings used in a worship of God namely (1) Invoking God into Vigraha, (2) Offering a seat, (3) Washing feet, (4) Washing hands. (5) Water for sipping, (6) Sacred bath, (7) Sacred cloth, (8) Sacred thread, (9) Sandal paste, (10) flowers, (11) Incense, (12) Waving an oil lamp, (13) Food, (14) Betel leaves and coconut, (15) Waving of a camphor light, (15) Clockwise circumambulation and Prostration. Thus we see that pooja can be seen as analogous to treating one's respected and beloved guest. In addition to going to a devaalaya, every Hindu needs to have at home a special room with altar with vigraha to do pooja. A pooja at home or a devaalaya is a synthesis of devotion, knowledge and action that provides tranquility. In the words of yogi-seer Sriranga Sadguru of Ashtanga Yoga Vijnana Mandiram, Mysore, India, " the worship of Deities with rituals at home or devaalaya should be carried out with child-like loving mind by the devotees as little children play with joy using their toys as medium"

Devaalaya as a place for education (Vidyaalaya)
The spiritual, philosophical and religious aspects of Sanatana Dharma are based on experiences of our rishis. They did not speculate. They provided knowledge behind various practical aspects. The yoga with all its different forms provided the practical basis. Thus it is very important that devaalaya becomes the resource for knowledge. In addition to the ritualistic worship simultaneous efforts should be made to give the knowledge behind the rituals. Either through the trained priests or knowledgeable volunteers, educational talks should be given to devotees during the rituals. Time should be allotted to answer questions and answers. Concepts such as the four hands of the vigraha representing the blessing of four-fold objectives namely dharma, artha, kama and moksha and the inseparable nature of masculine and feminine principles being worshipped as deva and devi, etc should be told. Classes should be held regularly to explain the meaning of the mantras chanted. In addition, regular classes are to be conducted to study scriptures such as Bhagavad-Gita, Upanishads, etc. In addition to the year -round classes, additional programs such as workshops, guest lectures, camps, etc are essential to educate both youngsters and adults. One of the reasons for youngsters not coming in large numbers to temples is due to lack of educational programs and youth related activities.

Devaalaya as a place for cultural arts (Kalaalaya)
The music, dance, painting, etc form the vibrant part of Sanatana dharma. It is well known that the seekers through music and dance have realized God. In the time of festivals celebrated at the devaalaya special cultural programs including educational aspects should be arranged. Various themes corresponding to the festivals such as Shivaratri, Ramanavami, Krishna janmashtami etc should be presented as dance-dramas so that the youngsters can understand and appreciate better. Cultural fairs need to be arranged in which classical art forms are to be emphasized.

Devaalaya as a place for service (Sevaalaya)
Volunteers form the core work group of a devaalaya. Any work done in the devaalaya in the areas such as worship, education, crowd management, fund raising, facility maintenance etc can be seen as a service. However specific programs for serving the community such as free health fairs, counseling for students and adults, senior citizen oriented activities, outreach to hospitals and nursing homes, feeding the poor, etc. need to be carried out regularly.

Concluding Remarks
Thus we see that a devaalaya is a place where all facets of Sanatana Dharma namely Jnana (knowledge), Bhakti (devotion) and Karma (service) come together. The management of a devaalaya which is also made up of volunteers is to make sure that all the above four aspects are equally emphasized. One way to ensure equal emphasis is by requiring that all trustees or directors of the board has to be involved in one of the four areas namely worship, education, culture and service. It is important that the management board truly work towards making the volunteers in all areas feel that their services are contributing to the devaalaya. All these areas need to be budgeted properly. It is to be remembered that devaalaya provides an opportunity for all volunteers including trustees and directors to get rid of their ego and make progress in their spiritual development through serving the common cause namely the God.

An Agenda for Hindus
M.G. Prasad
mgprasad@comcast.net
Maplewood, New Jersey (www.taranga.us)




Spiritual

1. Memorize few verses from Bhagavad-Gita
2. Focus and understand few verses from Bhagavad-Gita
3. Collect important Hindu books (scriptures) to have own library.
4. Learn and practice at the least few yoga-postures.
5. Carry out discussions related to Hinduism with other Hindu friends.
6. Carry out discussions about Hinduism related topics with family members.
7. If you are parent and have young children, tell them the stories of great Hindus in all fields.
8. Understand and educate others about the important basics of Hinduism or Sanatana Dharma.
9. Obtain sufficient depth and breadth about the various Hindu scriptures from Vedas philosophies.
10. Participate in the meetings and programs arranged during the visit of Hindu scholars.


Religious

1. Do prayer daily in the prayer room or specially allotted space at home.
2. Learn, perform and teach simple (at least) Pooja at home to children and grandchildren
3. Visit Hindu temple regularly and during festivals
4. Read about other religions and know the differences between Hinduism and them.


Cultural

1. Celebrate Hindu festivals at home and invite friends.
2. Represent Hindu culture in the work environment.
3. Practice and educate others about some of the important cultural aspects of Hinduism.
4. Support the organizations working for the correct representation of Hinduism in school text books and other materials.
5. Watch with family, the videos of the Hindu themes (such as Ramayana, Mahabharata, Chankya, etc) and discuss with family members.
6. Participate in the community celebrations of Hindu festivals.
7. Learn and/or Support classical and folk music and dance. 


Social


1. Contribute donation (to your best) to Hindu organizations
2. Offer volunteer services (to your best ability) to Hindu organizations.
3. Participate as a Hindu representative in inter-faith forums.
4. Understand and support the Hinduism related issues in national and international affairs.
5. Support the cause of correct representation of Hinduism in media.
6. Obtain a good understanding of the contributions Hinduism to science and technology from ancient to present.



Related post:-

Top 10 questions about Hinduism and 10 terrific answers!

                                                   

Tuesday, December 14, 2010

Tamilnadu Government meddles with the customs of Srirangam Temple


One thousand year old tradition of honouring the ‘Araiyars’, for their reciting Tamil hymns of Azhwars is going to be dispensed with from this year at Srirangam Ranganathaswamy temple, as directed by the HR & CE of the State Government.

Azwars and Tamil Pasurams

Several centuries  back, 12 Vaishnavite Acharyas, popularly known as ‘Azhwars’ visited 108 temples and sung in praise of Lord Vishnu.  All those 12 Azhwars together have rendered 4000 Tamil hymns, known as ‘pasurams’.  .Around 1200 years back, a great Vaishnavite Acharya known as  ‘Nadamuni’  compiled all these 4000 Tamil pasurams known as ‘Nalayira Divya Prabandhams’. 

Araiyars

In order that these Tamil pasurams reach the common people, Nadamuni  trained two of his brothers-in-law to recite, sing and dance the pasurams before Lord Ranganathan at Srirangam.  Nadamuni created a group called ‘Araiyars’.  Traditionally, for the past 1200 years, they used to recite the 4000 Tamil pasurams with raga and tala before Lord Ranganatha during the ‘Vaikunta Ekadasi festival’.  This is popularly known as ‘Araiyar Sevai’. 

Ten days prior to Vaikunta Ekadasi is called ‘ Pakal Pathu’ and 10 days after Vaikunta Ekadasi is called ‘Erapattu’.  Araiyars used to perform Araiyar Sevai during these 20 days.   They will also perform dance for some pasurams and enact some situations based on pasurams.  Generally, this is considered as ‘Muthamizh vizha’ (prose, music and drama is known as Muthamizh).  


               Srinivasarangachariar 
performing Araiyar Sevai at Sri Mahalakshmi Temple, Besant Nagar.





Dedication of Araiyars

These Araiyars perform ‘Araiyar Sevai’ only before Lord Ranganatha  during these twenty days.  They used to take training for nearly 20 years to perfect this ancient art.   Even when Chennai Music Sabhas approached these Araiyars for performing during Music season at Chennai, they refused to perform outside the temple, whatever be the compensation offered. 

These Araiyars have totally dedicated themselves for performing Araiyar Sevai, using Tamil pasurams.  Besides Araiyar Sevai, they also sing the Tamil Pasurams before Lord Ranganatha during important occassions.   For all their services, they do not get paid by the temple.  They only get great temple honours.


Temple honours to Araiyars

On the last day of Erapattu, after completing the entire 4000 Tamil Pasurams, the head of the Araiyar Tem will be requested to sit in the palanquin carrying the palm leaves of the 4000 pasurams,  This palanquin is a special one used for Lord Ranganatha only.  Those persons, who used to carry Lord Ranganatha, will carry the Araiyars on their shoulders and drop them at the house.  This practise prevails for the past 1200 years.

Government orders to stop the tradition

But now, due to the influence of few atheists in the Board of Trustees, the State Government has ordered to withdraw the tradition of dropping the Araiyars at their home carrying in palanquin.  This has triggered anger amongst the devotees for meddling with the thousand year old tradition. 

Mr A Krishnamachariar, Editor of Panchasanyam said that the Government had taken this decision on the ground that it was below the dignity when men carry another man on palanquin.  He disagreed with this logic, saying that the age old tradition honours the Tamil Pasurams and those who devoted their life time for maintaining this art of singing Tamil Pasurams.  He said, he would fight against this type of tampering with the customs of the temple, through all forums.

Mr Arjun Sampath, President of Hindu Makkal Katchi said that they would stage protest against such tampering of the traditions of the temple by the atheist Government.
  
****************

Old article on Araiyar Sevai puiblished in The Hindu.


The following article appeared in "The Hindu" on December 21, 1997

on Araiyar Sevai

 A dying art

Monuments crumble, manuscripts get moth-eaten and  traditional fine arts practised for centuries in temples  are being forgotten because of long years of neglect. No  wonder ``Araiyar Sevai,'' a visual enactment of the passionate expression by Vaishnavite saints known as ``Azhwars'' in vogue in almost all Vishnu temples in the  past, is now confined to a handful of them and seems to  be on its way out.

Temples in Tamil Nadu, especially those dedicated to Sri Narayana, had been, and continue to be, on a lesser scale the nurseries of the three branches of Tamil literature (Iyal), music (Isai) and drama or performing arts (Natakam) for many centuries. The ``Araiyar Sevai,'' which comes under the last category, is a performing art practised by Araiyars, descendants of Nathamunigal, who retrieved the ``Divya Prabandam'' pasurams or songs, almost from oblivion. They used to perform ``Abinaya'' or ritualistic facial expression and movement of legs and hands to explain the feminine concept of Vaishnavite philosophy where the Lord is the only male and around Him revolves the whole universe.

The Araiyars are not mere performers of this unique dance form, but are also well versed in sacred Vaishnavite love, especially the commentaries for Azhwar's hymns known as ``Eedu.'' Highly respected by the rulers and the ruled in the past, they, especially those in Srivilliputtur in Virudhunagar district, were conferred the status of spiritual teachers. Sri Ramanuja was the disciple of Thiruvaranga Perumal Araiyar.


According to Koil Ozhugu, record book of the Srirangam temple, which gave valuable information about temple practices and rituals, Thirumangai Azhwar, a Vaishnavite
saint, started the practice of presenting before the Lord of Srirangam his work known as ``Thirunedunthantakam'' to the accompaniment of music and dance. But it was Nathamunigal who introduced the performing art in its present form in temples in the
Tamil month of ``Margazhi'' during the festival known as``Thiruvadhyayana Uthsavam.'' He taught this art to two of his nephews - Keezhai Agathu Azhwar and Melai Agathu
Azhwar - who were the first and foremost Araiyars in the Srirangam Temple.

According to tradition they were given a cone-like cape  known as ``Ariyar Kullaai,'' two cymbals and the sacred garlands by the Lord of Srirangam Himself. Nobody else
was given this honour and to this day they are getting it. Their ``Abhinayam'' is considered to be similar to the ``Srunga Nirutham'' taught by Lord Narayana to Lord
Brahma and the ``Kaisika Vrithi'' of Brahaspathi, the  teacher of the Devas.


Numerous is the inscriptional and historical evidence about ``Araiyar Sevai'' having existed during the reign of Chola and Pandya kings and the former could be found  in plenty in the Srivilliputtur temple.


 According to Srinivasa Rangachariar, one of the two Araiyars in the Srivilliputtur temple, Thirukkurungudi in Tirunelveli district was the home of Araiyars where
once 64 Araiyar families lived. But now not a single Araiyar family can be found there. The reason for this, according to Srinivasa Rangachariar, was that the Lord
who was so much impressed by their service appeared before them and asked them to seek from Him whatever they wanted. The Araiyars said all that they sought was
His Holy Feet and the Lord granted the same. The Lord later regretted their absence and to please Him, all their cymbals were melted and a bell was made out of them. The Lord is offered food only after the ringing of the bell, which is found even now in that temple.


Now the ``Araiyar Sevai'' is performed only in three places - Srivilliputtur, Azhwarthirunagari in Tuticorin district and Srirangam. At Melkote in Karnataka,  Araiyars only recite Pasurams, they do not perform the``Abinaya.'' It is performed at the same time in the three places during the ``Pahal Pathu'' and ``EraPathu'' festivals for 20 days in December-January. The Araiyars first recite the Azhwars' songs, explain their
 inner meanings as handed down to them by their ancestors through palm leaf manuscripts and then perform Abinaya.''

  It is a treat to watch the Araiyar of Srivilliputtur perform the ``Abinaya'' depicting the life of Andal, who was found as a five- year-old child in the garden (``Pancha Varshath, Divyaroopath, Divayapara Bhushithath,'' according to Varaha Puranam) and was
brought up by her foster father like a princess, her composing 173 poems sending the cloud, and other things as messengers to the Lord, to convey her longing for
union with Him, the observance of a ritual known as ``pavai nonbu'' etc.

The most interesting parts of the ``Araiyar Sevai'' are ``Amirthamadhanam'' or the churning of the ``milky ocean'' and ``muthukuri.'' In the latter the Araiyar will don the roles of the mother of the lady love and the soothsayer known as `Kattuvichi.' He will, through of voice, perform the role of the mother, who will explain the plight of her daughter who used to adorn herself with all dresses and ornaments and look at the mirror, build houses in sand and the other pains undergone by her. The soothsayer will advise the mother to take her daughter to the temple and present her  before the Lord which alone can cure her illness. It gained the name of ``muthukuri'' as the soothsayer used to do it by spreading pearls in a bamboo plate known as ``muram.'' The ``muthukuri'' episode has a philosophical connotation as it signified the individual soul seeking the guidance of the ``Acharya'' or spiritual teacher (soothsayer) for union with the ``Supreme Soul.'' It is performed thrice during festivals at Srivilliputtur while it is done only once at Azhwarthirunagari and Srirangam. The Araiyars strictly adhere to the
guidelines given by their ancestors in manuscripts known as ``Thambiranpadi.''


Such an ancient and great system seems to be on its way out due to lack of Government and public patronage. There are two Araiyar families at Srivilliputtur. One of them, Srinivasa Iyengar, is too old and his descendants have not been trained in the art. Hence the Periya  Araiyar, Srinivasa Rangachariar, and his two sons - Balamukundan and Vatapatrasayee - had to perform the Sevai in the temple on all the 365 days.

 They had to undergo training for at least 18 years to perfect the art of `Abinaya.' But the Government, without realising their uniqueness and importance, declared them temple servants and they would have to retire like others on reaching the age of superannuation. Despite lucrative offers, the Araiyars had not given any audio or video recordings. There were many greener pastures, but the Araiyars of Srivilliputtur, though ``retired'' by the Government,  were serving the Lord without expecting any  remuneration. The Government and the devout public ought to see that this system which had been in vogue for a millennia, is continued in the temples. The Government spends a lot to preserve folk arts and other forms of dance, so it should not turn a blind eye to the  performing art of `Araiyar Sevai.'

           
T.A. SRINIVASAN

Other articles :-






Monday, December 13, 2010

Raja’s gain – dalits’ loss.



Raja may be a dalit, but not all dalits are Rajas. Raja who is projected as the Dalit face by the Karunanidhi, has infact fleeced the dalits of his hometown of their belongings and rendered them paupers. With the scam coming known to the public, the people are encouraged to come in the open to tell in what all ways they have been cheated and exploited. Here is a report on Raja’s exploitation which is not known to many.




http://www.deccanchronicle.com/chennai/exchequer-loss-raja-gain-realty-441

Exchequer loss raja gain in realty


Dec. 12: While it has now become common knowledge across the country that former telecom minister A. Raja has been involved in the 2G spectrum deal, the biggest scam to rock the country so far, the question as to where all this money could have gone remained unclear.

If the thousands of villagers in Perambalur district who have been forced to part with their lands over the last few years are to be believed, Mr Raja and his associates have invested them in thousands of acres of real estate in Perambalur, Ariyalur and other neighbouring districts.

According to local politicians, the modus operandi was that Mr Raja would announce the arrival of a big project in a village like a government medical college or a special economic zone and purchase all the lands surrounding it at a cheap rate by threatening the locals. “Later, they would sell it to outsiders claiming that the new projects would transform Perambalur and that land prices would skyrocket. So far, none of these projects has materialised but the surrounding lands have been grabbed and sold,” said an AIADMK leader, on condition of anonymity.

“Mr Raja and his associates have usurped hundreds of acres of land in Naranamangalam, Kunnam, Udumbium and so many other villages in Perambalur, which is one of the most impoverished districts in the state. Besides, they have bought over thousand acres of land along Alathur gate–Trichy road, Ponnatrupalam, near Jayamkondam, etc.,” said Mr N. Chelladurai, secretary of the CPM-backed Tamil Nadu Vivasayigal Sangam.

The police have allegedly been hand-in-glove with the land-grabbers during their operation.
Mr Senthil (32) owned 3.5 acres of land in Naranamangalam and refused to sell it when Green House Promoters knocked on his door. “When I refused, Senthil Murugan and Selvaraj, who are Raja’s associates, forced the police to file a false case against me under the SC/ST Act and remanded me in judicial custody When in jail, the police repeatedly said they would quash the case and release me if I agreed to sell my land. When I did not give in, they tried to arrest my widowed mother also under the SC/ST Act and I had to relent in the end,” Mr Senthil said.

As a blatant misuse of the official machinery, Mr Senthil was released from jail and taken straight to the Chettikulam registrar office where he was forced to sign a sale deed at 9 pm that night. “Anyone who can access revenue records can verify that I sold my property four hours after I was released from jail,” he claimed.


According to Mr Raja Chidambaram, state secretary of the Tamizhaga Vivasayigal Sangam, most of these sales are illegal as they are ancestral property. “In their urgency to grab villagers’ land, the buyers have not even got the signatures of the heirs to these properties that were sold to Green House and other dubious real estate agencies floated by former minister Raja. Any of these people could go to court and claim their land back,” he said.

Mr Chidambaram has held several protest meetings against the large-scale land-grabbing in Perambalur district over the last several months. Most residents of Perambalur admit that their sleepy town and the entire district have changed dramatically over the last few years. “But then, only a few have become rich and most of us have become poorer than before,” says auto driver Mani, who once owned five acres of land at Udumbium village in Perambalur district.

 **************

http://www.deccanchronicle.com/hyderabad/raja-grabbed-dalit-land-hometown-479

Raja grabbed dalit land in hometown

The former communications and IT minister, Mr A. Raja, and his associates have allegedly grabbed dalit lands in his district even while the Tamil Nadu Chief Minister, Mr M. Karunanidhi, has been trying to drum up sympathy for the DMK leader saying that he was being victimised in the 2G spectrum allocation scam only because he was a dalit.

Dozens of dalits of Naranamangalam village, in Perambalur district, claim that they have been cheated by Mr Raja and his associates who grabbed their land with the help of the police and revenue officials.

Mr Chandrasekhar (45), a dalit from Naranamangalam, used to be a land-owner three years ago. Today, he works as a casual labourer near the Perambalur bus terminus, earning Rs 80 a day to support his five-member family.

“I barely managed to survive using the income I got from my ancestral property of 3.5 acres of land. When MRF approached me through Green House Promoters to sell my property for the factory in 2007, I refused. But, I was threatened to part with it for Rs 90,000 an acre by Mr Selvaraj, one of the directors of Green House Promoters, and his associate Mr Senthil Murugan,” he said.

While the illiterate villager was told that the land would be handed over to MRF, he found out about a year later that Mr Selvaraj retained the land and had rented it out to MRF for Rs 50,000 a month and got an advance of Rs 3,00,000. “When I approached Green House Promoters, they threatened to eliminate me,” Mr Chandrasekhar said.

And he is not the only dalit who has been cheated. At least 60 dalit families from the village have lost their property to Green House Promoters, which is one of the real estate companies allegedly owned by Mr Raja. “Even last week, we gave a petition to the district revenue authorities. But they threatened to drive us away,” says Mr Raja Chidambaram, district secretary of the Tamizhaga Vivasayigal Sangam, the organisation taking up the issue with the government.
********************

 http://www.dc-epaper.com/DC/DCC/2010/12/13/ArticleHtmls/13_12_2010_002_025.shtml?Mode=0

Marathadi vakkil to millionaire


Barely 12 kilome tres from Perambalur town, surrounded by lush green hillocks, is a quaint and scenic village called Velur.

Almost anyone here knows the directions to the “minister’s home” located close to an Amman temple. When this reporter went there on Sunday evening, his elder brother Kaliyaperumal was at home and claimed to be ‘unwell’. He did not want to speak to reporters.


Andimuthu Raja was the eighth son of the family and had a modest childhood. He grew up with three elder brothers and four sisters.

After finishing his schooling in Perambalur district, he went out to pursue higher studies.


“When he returned home, he practised at the Perambalur court where we used to call him the Marathadi Vakkil. From being a marathadi vakkil, he has now become Mr Millionaire,” said an advocate and former friend of the minister. “Please do not quote me.

And you probably know why?" At that time, Sadiq Pasha used to sell textiles door-todoor. When not attending to cases at the court, Mr Raja and his advocate friends used to stay at Rasi lodge in Perambalur which was their makeshift office. "Sadiq used to come there to sell his clothes at the lodge and their friendship probably began there,” his former colleagues said. Over the next two decades, Mr Raja’s growth in politics was tremendous. He was soon elected as a member of Parliament and became a minister in the Union Cabinet.

Now, he is accused of swindling `1.76 lakh crore.

Locals here claim that Mr Raja did make significant contribution to Perambalur during his first term as an MP. “He used his clout to get some state projects to Perambalur,” said Mr Tada Periasamy, a prominent BJP politician and a longtime resident of Perambalur. “But over the last few years, the former minister has done nothing for the district. He just amassed more and more wealth to the dismay of his own district people.”