Friday, November 25, 2011

Mystery of Mt Toba (Sundaland) explained through Puranas!

The Hindu wisdom is always encapsulated so that it is preserved against mutilation and also makes itself revealed only to the seeker. This wisdom is three-fold, physical, divine and symbolic. There is a verse in Aithareya Upanishad that says that Devas want to be invisible, secretive, mysterious, indirect, hidden and so on. This is told in a single word "parOkshENa" ("parOksha priya iva hi dEvaa:" Ai Upa - 1-3 -14).

That is why we find most of the stories of Puranas and of deities indiscernible or even absurd at normal reading, metaphysical on deeper contemplation but revealing geological stories of man and creation when seen in the light of revelations of diverse fields of modern science. In this post I am bringing out the inner secret of Tripura Samhara by Lord Shiva that is now revealed in the findings of what is called "Sundaland".


Sundaland is a name given to a cluster of islands in South eats Asia. It consists of Malay peninsula, Java, Sumatra, Borneo and other surrounding areas. The recent developments in sea level research done by Glenn Milne and Graham Hancock have shown that these islands were not islands but were connected as a huge land mass some 22,000 years ago.




The sea level was lower than now by approximately 150 meters thereby offering a good expanse of land for mankind to thrive. This region is a centre of attraction for researchers because this is the "closest area" for early man from east Africa who moved out eastward around one lakh years ago.



The light shades around the continents show the extent of exposed landmass at an earlier time when sea level was low due to Ice Age. The red circle shows the 'Sundaland' which now looks fractured into islands. The migration of man as revealed in genetic studies show that mankind stayed on for thousands of years  somewhere in the Indian Ocean. Currently Indian Ocean, south off India shows no sign of landmass. But with the discovery of Sundaland, there is increased interest in finding out whether it offered habitation for early man.

Another important discovery is that an ancient volcano located in Sundaland erupted about 73,000 years ago causing a wide spread devastation of mankind and other life.
http://www.sciencedaily.com/releases/2009/11/091123142739.htm


 
The red star on the left side of Sundaland was the location of Mt Toba, a Super Volcano that erupted then.
The scale of devastation was such that the volcanic ash spread as far as the Arabian sea covering most parts of South India by a few meters.



The red spot in the above picture is the location of Mt Toba and the blue spots are the regions where ash deposits have been identified. Due to the wind direction at the time of eruption, the ash had spread towards west of Indonesia.

Recent excavations in Jwalapuram, in Kurnool district of Andhra Pradesh showed that this village which had an human dwelling at that time (73,000 years ago) was covered with the ash of Mt Toba.

  
Genetic studies reveal that almost all of mankind vanished then but for a small group from which the current population of the globe has come up. These 2 revelations - a massive burst of a volcano and a small and specific cluster of mankind surviving that catastrophe are remarkably revealed in the Puranic narration of Tripura Samhara.

Before telling about that, I want to describe a few words and concepts that occur in the Puranas.

The Devas were beings who lived in northern hemisphere.
The Asuras  lived in southern hemisphere. They were huge in size too.
The gigantic size of the Asuras is also not a figment of imagination. There is something about gigantism in the  South Pole, the reasons for which Science has not yet found out. Recently many marine life forms of gigantic size have been found out in the Antartic ocean.


A gigantic worm on the floor of Antartica ocean.

The other terms that I want to introduce to the readers are Meru and Naga or snake.

The Meru or the  peak of Meru mountain is the Northern pole. The South pole offers a basis or substratum which was borne by the Giant Tortoise (Vishnu as Kurma). The constant rotation of the axis of Meru causing day and night and changing the climate in the north and south is described as the churning done by Devas and Asuras. Samudra Manthan, as it is called is thus a geological incident written as a story in the Puranas.


The Meru is tied with the snake, Vasuki which is used for churning. It is actually a  personification of the mantle under the crust of the earth. As the earth keeps rotating continuously for eons, the underlying mantle is churned continuously. It erupts wherever there is a weak spot on the crust.Poisonous gases, molten minerals etc come out of the churning. The poisonous gases were de-harmed because Puranas say they are "drunk by Shiva, the Neela kanta" . The molten minerals get solidified in course of time and become valuable metals and gems. This is personified as "Lakshmi, the Goddess of wealth". But for this constant churning, we would not be getting wealth (lakshmi).


 A scene of Samudra Manthan seen at the floor of Atlantic ocean. 

With this background information on some basic concepts of the Puranas, we will proceed with Tripura Samhara.

Tripura means three sides or anything that is three. One can explain it at any level - physical, philosophical etc.
But after coming to know of the Sunda land and the eruption of Mt Toba, the story of Tripura Samhara shows a geological event.The names associated with Tripura samhara bear unique resemblance to the way a Super Volcano was maturing to erupt.

There was a Tarakasura who was killed by Karthikeya.
Tara means star.
Karthikeya is derived from a meaning 'fire' or 'cut'.
A star or star like glowing material was absorbed by Fire (Agni) is the import of this.

After the death of  Tarakasura, his three sons,
Tarakaksha, Vidyunmali and Makalaksha did penanceto become terrific fortresses.
Tarakaksha means star-eyed, Vidyunmali means one wreathed in lightening and Kamalaksha means lotus eyed (red in colour).
They formed 3 cities which were continuously rotating.
The cities were made of iron at the bottom, silver above that and gold on top.
They were fierce and kept rotating thereby tormenting the people.
They were called the Tripura  Asuras.

This description of the Tripura asuras (3 sided asuras) tallies with that of an active volcano.
The initial Volcano, Tarakasura had spewed fire (killed by Karthikeya).
But that was not the end of the Volcano.
It kept being active by being star like sparks (Tarakaksha), lightening (Vidyunmali) and red in color (kamalaksha).




The magma underneath had been so volatile that it is described as though the 3 layers of molten minerals of iron, silver and gold were rotating all the time.

The Devas and Danavas were present in that location, so say the Puranas
We know Asuras, but who are these Danavas?
Generally those in the southern hemisphere were called as Asuras. But there were other people also. One of them were called as Danavas. This is another concept of Puranas which is now proven by genetics.
There was an ancient progenitor of man  (Y-chromosome) and quite a few female progenitors (mt DNA). The current population of the earth have come from them.

In Puranic narration, Sage Kashyapa will appear wherever there is a need for creation of people.
Perhaps he signifies the ancient Y- chromosome.
If someone says that he does not know his Gotra, elders will ask them to adopt Kashyapa Gotra because all Gotras (Y- chromosomes?) have come from Kashyapa.
He was in the Deep South before 70,000 years ago,
near Kashmir around 40,000 ago and
after that his name comes associated with the region that has the Caspian sea.
Kashmir got its name from Kashyapa only.

This sage in the beginning of populating the world married 13 daughters of the Prajapathi (Father of people).
In ordinary understanding, people used to think lowly about this sage and other sages who married many women.
But all those stories are symbolic.
One of his wives was called as Danu. 
The children born to her were called as Danavas!
The lineage from them also were called as Danavas.
This shows that Danavas are coming in a specific maternal-lineage 
They are asuric in nature to some extent.


Popular Danavas are
Hiranya Kasipu,
his son Prahladha, 
Maha Bali, 
his son Banasura, 
Puloma (father in law of Indra and father of Indrani) 
Vrishaparva and 
Maya, the architect.

The Danavas including Maya was present at the time Tripura was fuming!
The torment caused by Tripura was unbearable that  the Devas asked Shiva to kill him.
He did so by using a single arrow.
The killing of Tripura by Shiva was described as Tripura samhara.
The exact process of killing is described in the Sangam Tamil text called Paripadal
which is an exact description of the destruction caused by a Volcano.

Paripadal - 5 says
"naaga naaNaa malai villaaka
moovagai, aareyil Orazal ambin muLiya" 

(நாக நாணா மலை வில்லாக
மூவகை ஆரெயில் ஓரழல் அம்பின் முளிய)

Naaga - snake
naaNaa - as the string (of the bow)
malai - mountain
villaaka - as the bow
moovakai - 3 types
aareyil - walls (fortresses)
Orazal - a single streak of fire
ambin muLiya - at the end of an arrow - killed

That is,
Shiva killed Tripura with the mountain as the arrow and the snakes (mantle / magma) as the string, he blew the 3 fortresses of iron, silver and gold (molten material) by shooting a single arrow which has fire at its end.
The snakes - as we told before - personify the magma trying to come out. 

This describes the sudden and powerful eruption of fire and mantle from inside the mountain (volcano) which resulted in the complete collapse of the volcano.

To depict it pictorially, here is the image of how a volcano looks when it bursts.



The same picture with the personification of a volcanic eruption with the Bow, String and Arrow that Puranas describe in Tripura Samhara is given below.




This Bow -string -arrow symbolism will look like a bursting volcano like this: 


Further description of the narration of the puranas say that as a result of that destruction,  there was ash everywhere. The ash was pale gray in colour. Shiva was completely drenched in that ash. He took up a handful of ash and smeared it on his forehead (the custom of wearing sacred ash started then). Not only that he started dancing! That dance was called as Tripura Samhara Tandava (the dance of destruction of Tripura)


This pose of Tripura samhara also fits in the description of the burst of a Volcano.
The leg has been raised straight upwards showing the path of the arrow from inside the earth
and shot upwards through the mouth of the volcano.

This dance of Shiva is described in the Tamil text, Silappadhikaram as the first among the 11 dance forms. This is called in Tamil as "Pandarangam".
Pandaram means white. 
Shiva was smeared in white ash after the destruction of the Tripura and then he started dancing on the ashes. That was the Pandarangam dance. This is depicted as Tripura smahara dance of Nataraja!


This description from Tamil texts clearly show that Tripiura samhara was indeed a Volcanic burst.
Shiva is associated with destruction.
The way the destruction had happened has been told as a symbolic story.
The Devas were happy about the destruction as the asuras were devastated.
But Maya Danava was present at that time!
He was a Shiva worshiper.
Seeing him trapped in the fire that ensued, Shiva saved him.
This shows the Danavas also escaped and continued their life.

Now let us look at corresponding clues to the location around Mt Toba.
(Toba sounds like a corrupt form of Tripura. Locals in that area might give us some leads on how that name Toba was pronounced in olden days) 





When Mt Toba erupted, the land looked like above. The red mark denotes the location of Mt Toba.


In the picture above we see so many locations of Sumatra having the name 'Pulau' which sounds similar to Puloma, the Danava who once inhabited this location according to the Puranas.
From where these names starting with Pulau come?




Now take a look at this picture.
There is a place called Tarakan in this region (Kalimanthan)
The red star shows the area of Tarakan  and the inserted picture shows Toba and Tarakan.
Tarakan has underground oil fields, thereby substantiating  our analysis that this location has for long experienced hot beds underneath.
In the story of Tripura samhara, we see Taraka or Tarakasura as the father who was destroyed by Karthikeya. 
The 3 Tripura asuras were the sons of Tarakasura.
In the picture above, there is a Taraka and also on the same line Mt Toba.
This seems to be the Father and the sons according to Puranic symbolism. 
The location of Tarakan now must be researched to know whether it was the location a volcano that burst in much older times. 


Tarakan is in a place called Kalimanthan.
Look at the name Kalimanthan, it means Kali's rotations or agitated dance.
In Tripura Tandava, Kali, the better half of Shiva also joined the dance.

Look at this picture.


We can see the Puranic characters Maya, Indra etc connected with Tripura samhara.
There are many places in this region having Maya name attested somehow.
There is Maya Karimatha and a Mayo island!
There is Indramayu!
Bali island reminds of Bali danava.
This location had been occupied by danavas in Tripura samhara times.


In addition there is a Madura and Yamadena.

This would raise doubts whether this region was originally the
Tamil region of old Pandyas, the Then- Madurai.
No I dont think so.
Then-Madurai was lost due to sea-floods.
Shiva was the protector deity and a king of that land once.
But the Sundaland region suffered the wrath of Shiva and it bore the brunt of fire not water.

This makes us think that the Madurese came to occupy this part
after their Then-Madurai was devastated by a flood.
According to Sangam Tamil texts,
the Pandyan king along with the survivors landed in the then extended region of South India
in a place called Kapatapuram. 
It is probable that many of his subjects have either died or managed to survive in nearby islands.
One such group would have landed in Sumatra and started new life.
It is always a habit with people to call their new locations with their old place- names.

The Madurese carry resemblance to Tamil life described in Tamil texts,
such as making salt as their profession (called as Umanar in sangam text)




and conducting bull races!!







Close to this place is a place called Yamadena, a word resembling the Vedic concept of Yama , the lord of death. The people here have a old stone-boat in which they do ancestor worship.

The broken stone -boat at Yamadena.

It looks that the people who escaped a great flood in a boat had reached this island.
The boat stood rock-strong that they escaped,
while others of their clan in other boats had drowned.
The people had done obeisances in their memory in a boat made of stone.

These 2 places, Madura and Yamadena seem to come from a people of later times
who escaped a flood.
Such a flood devastated Then Madurai about 7000 years ago.
But the rest of Sundaland bear the imprint of Tarakasura
as a Super volcano which caused havoc to the population.


The people who had escaped the havoc have managed to live in other areas nearby.
Though Indian Ocean seems to be devoid of land to support people,
it did have good many locations which were mostly top of the mountains
of 90 east ridge and the other long range on south of Arabian sea.
There were scattered regions where people could have stayed.


 The Mascarene region was a landmass as huge as Tamilnadu  that was above sea water some 7000 years ago.



The memory of Mt Toba was carried on for 1000s of years
which was personified as the destruction caused by Lord Shiva.
In my opinion, the people had started recognizing the stars of the sky and watching the patterns and relating them to events abour 70,000 years ago.
The name Tarakasura, though could have been coined later, was coined so to show that the knowledge of stars started at the time of Tripura (Mt Toba) 
The Tripura samhara was 'predicted' to happen on the day when Moon comes in conjunction with the star Pushya.

The study of stars must have started then and was gradually developed.
By the time people overcame the impact of the Volcano and started new life,
sages would have come into existence through contemplation and deep thought on sun and stars.
The period of Daksha comes later and he is identified as having 27 stars as daughters.
So that is the period of the actual birth of astrology.
The oldest name for astrology is 'Nakshatra darsana' (seeing the stars or the philosophy of stars)
and not Jyothisha.
The Hindu astrology is based on star positions and  the position of planets in the stars.
There is a puranaic narration of Daksha having his head replaced with the head of a ram.
That symbolizes the birth of the knowledge of the zodiac.
All these go far backwards in time, perhaps 40,000 years before present.

The contemplation on Nature by the people of that era resulted in the birth of Vedic Thought and the formulation of symbolisms for natural events such as Toba eruption.
The Sundaland existed then and people had moved back to occupy them.
They also carried their symbolisms and named the places as Pualu, Mayo, Taraka and so on.

Daksha's people suffered the wrath of Shiva (destruction) some time later in the form of a devastating fire. That was another period in the past which we will discuss in another post.

Wednesday, November 23, 2011

Indus girl and Indra loka have remnants in the South West Americas?

As more and more information is flowing from different parts of world on their past cultures, I am surprised to see a similarity between them and what we see in the depictions and narrations in Hindu texts. The Puranic narrations seem to be true on many counts in revealing the history of very olden times. The researches by  Stephen Oppenheimer on genetic trail of man, by Glen Milne on the sea level in the past and by Graham Hancock on water-buried civilizations are giving credence to what Hindu texts have recorded through the words of visionary sages of an undated past.

To begin with, let me show a surprise match between a female figurine found in the Indus valley  and the traditional Hopi female of Pueblo culture.

















Indus figurine with prominent hair buns on two sides of the head.

This hairstyle is not found anywhere in India, nor in old statues. There are numerous female figures carved in temples all over India, but none of them have been reported to exhibit this kind of huge side buns. 

This style is not found anywhere in the west or north west of Indus culture, but is seen even today among the Hopi women of Pueblo culture!


                                         Traditional hair style of Hopi women



They use a curved wooden stick and roll the hair around it. A similar technique was in use until recently in India, but the bun was made behind the head and not on the sides of the head. More often, the bun will be made perfectly circular by rolling ribbon around a huge ring. It will be fitted at the back side of the head by rolling the hair around it. Heroines of old Tamil movies did exhibit this kind of a bun. But I have never seen anyone sporting the buns sideways.

There are other female figurines of the Indus showing similar side buns with a spiral.





Though this is not exactly seen in the Hopi women, theirs is a spiral bun only. It is possible that it can be made to face forward or sideways.

This is a traditional hairstyle of the Hopi women and not used at all ages. It is interesting to know that only unmarried girls who are expecting courtship sport this hair style! 

While looking for further clues to solve the mystery of Indus hairstyle appearing in Pueblo culture, I happened to come across greater surprises! One of them  is about the way they depict the Sun God!



Sun God is popular in many cultures. But He has a specific description Indian Iconography. The popular shrines in India dedicated to Sun God do not actually depict the Sun as per the rules of iconography that existed 2000 years ago! The 58th chapter on Iconography of temple images found in  Brihad Samhita written by Varahamihira before 5th  century BP has 3 verses on how the image of Sun must be sculpted.


There are no weapons held by the Sun God. All that he will hold is a lotus in each hand. He must be in standing position wearing  a crown and pendants with garlands hanging from his neck. From breast to the feet he should appear covered. There is a specific mention that he must be adorned in the method followed in Northern countries. Which Northern country does Varahamihira have in mind?  Varahamihira was himself  Sun worshiper - something he mentions in his book and lived in Avanti in Central India.



From his location in Avanti, he can not be referring to North India. Perhaps he had in mind countries north to the Himalayas. We will discuss it later. But we have to take note that he is not referring to any country in the north west or west of India such as Egypt, Rome or Babylon which had Sun worship.

Lets take a look at Sun as seen in Indian temples.
The style is as per Varahamihira's description.
The lotus in the 2 hands is a prominent feature.


 When we look at West Asian and European regions for their depiction of Sun God, we don't find any connection with the Hindu Sun God.

Take a look at Ra, the Egyptian Sun God:

The Celtic Sun is in standing position but is holding a spear and looks almost naked.



The Sumerian Sun God has weapons in hand and stands with one leg raised.



The Akkadian Sun God is seated.


The Roman Sun God sports a weapon and not exactly upright.


Now take a look at the Sun God of Incas, he is holding a rounded flower- like item in his hands.


Yet another depiction in Kachina doll from the same Incas. is this dress Northern style?


Compare it with another depiction from Indian sculpture.

A similar dress, covering only a part of his legs.

A popular depiction of the Sun God Inti of Inca again. What does he hold in his hands?



 This similarity with Inca's Sun nearly half way away from India looks perplexing, but not so when we look at other traditions in the western part of the Americas. The traditional residences of the Pueblo people give me a better idea of why we are seeing these similarities.

Before explaining that, let me tell in brief where the Sun God is supposed to reside as per the Puranas. 

The Sun (Surya) is a Deva and was 'last seen' in the North! Before that he was in the South with his wife Sanjna. At some time, unable to bear his heat, Sanjna escaped to the North. Sun also followed suit and joined her in the North. This Puranic narration shows the shift of period of the sunlight from the South to the North. This happened some 40,000 years ago. Stephen Oppenheimer's tracing of human migration confirms this information. The migration has gone to the Northern hemisphere through India!

Again looking at Hindu texts, Mahabharata narrates a version of all the countries around the world in early chapters of Bheeshma parva. There it identifies a place called Suryavaan - a mountain - where the sun shines over head. This place is located in continent called Shaka dweepa. I have done an extensive analysis of the location of Shaka dweepa through various cross references in my Tamil blog on tracing the origin of Tamils
(http://thamizhan-thiravidana.blogspot.com). For this post I want to say that Suryavaan was indeed a part of the 90 meridian range near the Equator that is now submerged in the Indian ocean.


It was mentioned as Suryavaan because of its location on the Equator. The first Sun worship must have started there. Mahabharata mentioned that four varnas including Brahmins who were called as Maga Brahmins lived in Shaka Dweepa. As a cross reference we do find Varahamihira mentioning that only Maga Brahmins are entitled to do pooja to Sun God. ( Brihad Samhita 60-19). There are references to Maga Brahmins having migrated to Indian mainland for the sake of installing and carrying out worship of Sun God.


There is an opinion that the Maga Brahmins had come from north west of the Indus. It can not be so because (1) Mahabharata description of Shaka dweepa where Maga Brahmins originally lived does not match with any of the West Asian or European land,
(2) Sun worship must have originated in a place where Sun shone overhead / in equator and not in latitudes north of Tropic of Cancer where Sun can never be seen over head.
(3) such a notion was fed by an assumption that Brahmins were the Aryans who migrated from West Asia or Central Europe. This theory has been discredited now and
(4) the Maga Brahmins were not well versed in Rig Vedas showing them to be different from the  Brahmins who settled in Saraswathy regions.


From Suryavaan, the sun worship has shifted to North (India) and further north when the Northern hemisphere became hospitable for living some 40,000 years ago. The Sun God of Hindu texts lived in the North, in Uttar Kuru which was far north to the Himalayas. There is a chapter in Valmiki Ramayana on the countries in all directions to Bharat. The Vanar-king Sugreeva narrates step by step the countries encountered in the North until the Northern pole. These details has been analysed in my Tamil blog. Accordingly, the ancient land of Devas or what they called Indra loka was identified with numerous cross references from both Tamil and sanskrit texts.


Uttarkuru was around lake Vaikhanas. Vaiskanas is the present day Lake Baikal. 
The wives of Pandu bore the children of the Devas belonging to Uttar kuru according to Mahabharata.
Karna was the son of Surya Deva of Deva land where Uttar Kuru was situated. The fact about people having lived in those areas before the last Ice Age confirm that the Puranic narration of Deva loka and Uttra kuru are not figments of imagination.

Now coming to the main story of this post, the Devas were always depicted as having lived in Sky- cities. The capital of Deva land was Amaravathy which was seen as though it was hanging from the sky or floating among the clouds. A similar description is given to Lanka of Ravana in Valmiki Ramayana. Lanka was situated on top of Trikoota peak surrounded by three peaks. Its location on top of the peak seemed as though it was a sky-city or it was hanging from the sky. On seeing it, Hanuman wondered whether it was Amaravathy, the capital city of the Devas. This shows that the city of the Devas was situated on top of a hill or on high places.

While looking at the Pueblo culture who have the Sun God looking similar to the Hindu depiction of the Sun, we are in for a greater surprise because the Pueblos also lived on 'sky-cities'.

Pueblo areas. The top one in pink was the old Pueblo location.


Look at their houses built on hills.









1879 Photo of a Pueblo dwelling is given below. Puranas say that Devas do not walk on the ground! That is why they had their dwellings on the Sky!! Here the Pueblo people live above the ground. They had another similarity in the form of Sun God  in the way depicted by Hindu texts.


What do all these indicate?


Looking at the map of human migration around the world in the last 80,000 years as mapped by Stephen Oppenheimer on the basis of DNA studies, this similarity gives some clues.

Take a look at this map.


(click the map to see it clearly along with the time line)

The grey lines depict the route of human migration. About 40,000 years ago, man had landed in the Northern areas of the globe as the climate was warm enough for living. I note that period as the time of peak of Devas culture. The Northern dress noted by Varahamihira referred to the dress of the people of that location in North. It must also be noted that other characters such as Revatha and Karana were also born with "udheechya vesha" according to Puranas. It means 'the Northern dress' - a glowing dress complete with ornaments over the body.

It was the time North America and Russia were land connected. People had migrated through that land when Ice Age set in. They turned southwards and moved along with the western coast of North and South America. They settled mostly around the equator in those regions. This happened 10,000 years ago according to genetic studies.

The Pueblos, the Incas and the Mayans settled in these regions. By the time they came down to these places, the old glory of devahood is almost gone. The remnant culture had existed in the form of their dwellings and Sun God. Even the sacrificial pits bear resemblance to  what it used to be for the Devas.

According to Vastu sastra, the ancient science of architecture, the Devas had a different type of architecture and it was altered for the people of Bharat.

The one place connected with Devas in Tamilnadu was Poompukar. From the Tamil texts such as Silapapdhikaram and Manimekalai we come to know that Poompukar was occupied by King Muchukunda in whose custody Indra, the lord of the Devas left the upkeep of his regions. Indra installed his helper, called "Naalangadi Deva" at Poompukar in  return for the help. It was in memory of Indra, the people of Poompukar were doing a festival in the name of Indra until 3rd century AD.

A man made structure found by Graham Hancock off the Poompukar coast has been dated to 11,500 years BP. (It must be noted that the last time we hear about Indra or Devas was around 10,000 years ago, when Indra's son was captured by Surapadma. It was around the same time the famous elephant of Indra - which in all likelihood be the Woolly Mammoth (found in North) became extinct.)
The structure now under water is more or less round or oval shaped.




A similar round or oval structures are found in Arkaim, in what we identified as Uttarkuru.




These were found to be abandoned after setting them to fire.
It must be noted that in the Vedic Homas, the Yaga shalas (sacrificial pits) are burnt after the worship / homa is over.

The surprising part of it is that we find a similar circular sacrificial pits in Pueblo dwellings.




They also bear a burnt evidence!



They bear resemblance to Arkaim models and Poompukar structure!

Now take a look at the map again.






The red line is the route of Sun worship.
It started in Suryavan in the Indian Ocean near the Equator,
entered India and went past the Himalayas to far Northern latitudes.
That was the time the culture of Devas was at it peak.
Surya was an important deity of the North.
The red line turns to North America and finally settled on the west coast around 10,000 years ago.
The Pueblos have a story that their ancestors came from the North and
therefore they had a broad Northern Road.

The circles in blue are the locations where sun worship occurred without much deviation.

Now coming to the Indus girl with her 2 side buns.
In all probability, the women of North (Uttar Kuru and Deva land) had this hairstyle.
This figurine is sporting a voluptuous
 look and almost naked.
The similar style in Hopi people is connected with the period of courtship of an unmarried girl.
This reminds me of the Apsaras women of Deva land who were known for freedom in personal life.
They were seductive and might have looked similar to the depiction of the Indus figurine.


Finally let me show another similarity in the depictions of Goddesses.

This figurine found in Tlatilco has naked looks surrounded by fierce figures (Bhootha Ganas?)



This looks similar to the Chamuda of Mahua temple at Shivpuri in Madhyapradesh (10th century AD)



Perhaps this was how Chamunda was depicted in times of yore, but modified later.

How this figure traveled to Tlatilco in Mexico?
Was it taken by sculptors who learnt it from India?
If so, how did people there develop the worship of this deity?

The only plausible answer looks like a migration of people for 1000s of years via India to the North and then to the Americas.
The customs they carried had deteriorated over time, but such customs have lived almost in tact in Bharat!!
In conclusion I would say that an analysis of Hindu texts
supported by Tamil texts do yield the explanation for puranic accounts
which are now getting proved by modern branches of science.

Monday, November 21, 2011

Inscriptional evidence for Mahabharata times.

For the complete details about the inscriptional evidence for Mahabharata, read my book "Mahabharata 3136 BCE: Validation of the Traditional date" (Details: Jayasree Saranathan: Published my new book, “Mahabharata 3136 BCE: Validation of the Traditional Date )



There is no doubt that we in India have a long and continuing history. Though the Ithihasas narrate the grand histories of our past, there are more in them that could help us to know about the other cultures and other people of the world. But alas, not many are ready to read them, leave alone accept them as historical documents. Looking at the West, we find the people there taking every bit of story from their old literature with seriousness and searching for clues to prove them. But the same is not happening in India. 


We have never needed a buried city nor an inscription to tell us what we were in the past. We ourselves are carrying the evidences of our past. The most notable one is our calendar that traces our time from the start of Kaliyuga. Everyday and day after day, the time period with reference to position of the Sun and Moon in relation to the beginning of Kali Maha yuga which started 5112 years ago, is noted in the rituals of lakhs of temples in India and in all the Vedic rituals done by individuals for various purposes. At the same time we are being made to read in our history books that Indus civilization was the beginning of our history which started about 5000 years ago.  The similarity in the date of Indus Valley civilization and the start of Kaliyuga tells us that IVC is post Mahabharata culture that heralded the start of Kali Maha yuga. Any new Yuga will start after a deluge or loss of culture or value system of the preceding yuga. That has happened in Kali yuga also. As this yuga is advancing, we are losing track of old history and old value system. From times that people relied on the words of the sages, we are now living in the world that wants proofs in physical form. 


We have not one but many texts which tell the same kind of past for our land. For example, we have not less than 3 sources, apart from Mahabharata, which tell us the history that existed 5000 years ago. The Kashmiri history started 300 years before the Mahabharata war. The Nepalese have recorded their history starting from 1000 years before Mahabharata. The Puranas  narrate the same line of history of kings starting from before Mahabharata. As far as the Hindu texts of Ramayana, Mahabharata and Puranas are concerned, they were not done by ordinary folks but by selfless sages who had no reason to record an untruth. They did not write them by the order of any king – so that we can suspect some hidden agenda to hike up the dates and events. They were all voluntary records of history and conveyed to others, mostly comprising of fellow sages for the purpose transferring the memory of the true events of the past. It is regrettable that these are not given their due recognition by today’s people. 


In such a scenario, I was thrilled to come across 2 inscriptions by Emperor  Janamejaya, the great grand son of Arjuna in the book titled “Age of Mahabharata war” by Sri Kota Venkatachelam. One of them has been recorded by the Indian Archeological Department in the pages 333 and 334 of Indian Antiquary. The other is preserved at “Usha Mutt” at Kedarnath in the Himalayas. I wish they are brought to fore and help the historians build the Indian history from Mahabharata at the least. 


Both the inscriptions written in Sanskrit on copper plates are about the gift of land given by Emperor Janamejaya on the same day when the Solar eclipse was on. But the gifts were made at two different places, one at Kishkindha and another at Kedarnath. The year of kali and other details of the day were exactly the same in both the inscriptions. While one of them has been found by the Archeological Dept, the other was found by a devotee to Kedarnath who recorded the contents of the copper plate preserved in Kedarnath till today. 


Both the gifts were made by Janamejaya on Kali 89, in the year Plavanga, on a Monday, the New Moon day at the end of Chaitra. Kali 89 was the 29th year of the reign of Janamejaya. The chronology of events recorded by sages runs like this. Krishna shed his mortal coils, 36 years after the Mahabharata war. Kaliyuga started at the moment of Krishna’s exit. That was the year 3102 BC .

In Kali 1, Yudhishtra relinquished kingdom and Parikshit, the grand son of Arjuna and son of Abhimanyu was crowed. He ruled for 60 years. After his death due to snake bite, his son Janamejaya became the emperor. That was in 3041 BC.  At Kali 89, he was in his 29th year of rule. The corresponding year at the time he made the gifts was 3013-3012 BC.

The inscription recorded in the History of Antiquary is about the gift of land to  Sitarama temple in Kishkindha. The king is described as seated on the imperial throne at the City of Kishkindha. (“Kishkindha nagaryaam simhaasanastha”) whereas the inscription on gift of land to the Usha Mutt at Kedarnath describes the king as being seated in the imperial throne at Indraprastha,the capital city of the Kurus.(“Indraprastha nagare simhasanastha”). This difference in description need not raise doubts about the king mentioned because, in the inscription related to gift in Kishkindha, it is clearly said that the king is making the gift of land established in the name of his great grand father Yudhsihtra! It is customary to make gifts at the time of Solar eclipse as part of ancestral worship. 


Janamejaya inherited a vast land from his forefathers who brought most of Bharat under their control after winning the Mahabharata war. Though his headquarters was in Indraprastha, he must have had regional commanders to take care of each region. That explains how the gift was made in his name connected to the throne of Kishkindha. There is also a probability that he made gifts simultaneously at several places of his kingdom. What we have now are just two of them and sadly they are yet to be brought to popular notice.
The gift at Kedarnath was given for the worship of Kedarnath Swamy to Sri Goswamy Anandalinga Jangama Swamy of Usha Mutt through his disciple Sri Jnana Linga Jangama. This shows the disciple was received the gift document (Copper plate) in person from the King at Indraprastha. This copper plate is preserved till today in this Mutt. 

These 2 places have some historical significance. The Pandavas have been associated with Kedarnath on many occasions. They have often worshiped Shiva in Kedarnath and done penance. Arjuna got his Pasupatha astra after worshiping the lord here. There is a Usha Mutt here, perhaps related to Usha, wife of Aniruddha (Krishna’s grandson). This must be the place which the author Sri Kota Venkatachelam has referred to as having the copper plate of the gift given by Janamejaya





The Sita rama temple at Kishkindha also seems to be of importance from Ramayana times. The location of the land mentioned in the inscription shows that it was the Pampa region where Rama met Sabari.  The text of the 2 inscriptions is given at the end of this post. Interested persons are requested to help in locating the temple of Sitarama which seems to lie near river Thungabhadra. The Thungabhadra is in the North and Agasthyasrama in the west of the site of the gifted land. There was a Agasthyasrama near Panchavadi where Rama met the sage Agasthya for the first time. But the location near Thungabhadra shows that it is a different ashrama of Agasthya. There are many Agasthyasaramas in India. Wherever he has travelled, he seems to have established an ashrama in his name. 



An interesting information from these inscriptions is that Janamejaya belonged to Vyagrapada Gothra. Sage Vyagrapada is always associated with Sage Pathanjali

      Patanjali and tiger-footed Vyagrapada worshiping Shiva


He being the Gothra rishi of Janamejaya pushes the time of the rishi to a far antiquity. The connection with this rishi can be seen in 2 instances as far as I know. Upamanyu was the son of Vyagrapada whom Krishna goes to meet to get deeksha. This is described in Mahabharata -13-15 &17 . It is possible to assume that the Pandavas followed Krishna and got deeksha from Upamanyu and therefore came to belong to Vygrapada Gothra. Upamanyu’s name is also associated with the Kedarnath temple for which Janamejaya made the gift.  Like this the authenticity of the inscriptions can be checked with events connected with the Pandavas. 

The text of the inscription of donation of land to Sitarama temple in Kishkindha :-



















The text of the inscription of gift to Kedarnath temple:-
























(Click on the text of inscriptions to read in bold letters)


Friday, November 11, 2011

Women learn Vedas and warfare in Gurukul

A  Gurukul is being run in Varanasi, exclusively for girls teaching warfare and Vedas. The news item is given below.
I think this is in tune with ancient tradition only. We are led to believe that women were not given education in our country. But I came across an interesting verse from a Nadi text by Sage Agasthya which said that the native of the horoscope – a female (under discussion in that verse) would not get education. It gave the inference that education was a must for all women but this woman would not get education due to certain planetary positions. When I analysed the planetary combinations, I found that the 4th house significance was not applicable but the 3rd house significance was applicable. Usually we look into the 4th house for education and the 3rd house for arts / Kalai. Then it occurred to me that the sage was referring to the 64  arts (chathush-shashti kala) as education for women. Archery, languages, certain types of warfare etc are part of the 64 arts. Women have received education and skills in a variety of fields. In Dharampal's book also we come across a reference to girls getting education in arts (64 arts) in temples or through private tuitions. This was the situation around the year 1800. In earlier times even these limitations were not there in their movements and in education.

For the list of 64 arts:-

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From
These Panini girls can cross swords with anyone
Swati Chandra, TNN Nov 10, 2011, 11.29AM IST
Words of wisdom and Vedas on their lips; swords, javeline, arrows and
bows in hand, girls of Panini Kanya Mahavidyala, Varanasi, are not only
challenging the 5,000-year-old laws of Manusmriti (that women cannot
perform religious rites, chant hymns and read Vedas), but are also
showcasing perfect example of self defence to the contemporary world.
The 40-year-old 'Gurukul only' for girls has been imparting knowledge in
Sanskrit, Astyadhyayi, Vedas, vedic hymns, Science, Indian philosophy
and karmakands. At the same time, ample training in self defecnce and
warfare is given to the girls in the residential school based on ancient
methods of teaching.

Archery, swords, daggers, javeline, lathi, horse riding girls of this
Gurukul have kept alive the ancient methods of war games and at the same
time are overshadowing modern world with their self defence skills that
also includes karate and martial arts.

Dharmavati Arya, a student, has won accolades in the field of archery.
Her calm nature and depth of knowledge in her eyes do not give even a
clue that this young girl has mastered archery at national level. She
was recently invited by Tata Archery Academy, Jamshedpur, for advanced
training in the sport at international level. "I can hit the object with
my arrow by looking at the object in the mirror (this act was practiced
by Arjun of Mahabharat)," says 22-year-old Dharmavati.

"By the time girls reach 18-20 years, they know all the warfares. As
the Gurukul is based on Agra Shishya Shiksha Pranali (seniors teaching
juniors), they pass on the knowlegde to the little girls and in this way
we revise our art," says Jyoti Arya, a student of Acharya (Post
Graduation) who has also crossed many 'swords' with her contemporaries
from other other 'gurukuls' of the country. Little girls, Akriti (13)
and Kasturi (14) have mastered two handed swords and knives while some
of them have mastered the art of art of archery performing yogasans.
They can also offer flower garlands to guests with a click from their
bow and arrow and can produce dance drama with the sounds of their
swords.

According to Jyoti, apart from applying the art as self defence, girls
of the Gurukul have been participating in various warfares that are held
in the country during special occasions. Rani Laksmi Bai, being the idle
of for these girls, holds special importance and they perform regulary
at Jhansi every year when during the celebration of the birthday of the
brave queen.

Acharya Dr Priti Vimarshini, teacher of warfares who herself studied in
the same Gurukul, says: "There are several tales of self defence.
Madhuri Arya, a student of the Gurukul, jumped off from a running train
chasing a thief and came back safely. Similarly Dharmvati Arya has
solved many cases of eve teasing on roads."

"Girls here do not panic while walking alone on roads and when trapped
in problematic situations. Instead, they fight hard and emerge
victorious.I believe it is very important to have these skills in this
times when we do not know who might turn out to be our enemy," added
Priti.

At present, around 80 girls are residing at the Gurukul. Out of them,
60 know the art of self defence and warfares and they practice it daily
on the premises of the Gurukul in the evening. The minimum age to enter
the ancient system of education is nine years. However care is taken
with their age groups and matching war sports. Eyebrows were raised on
the methods of the Gurukul as according to Manusmriti, law code of
Hindus, women and Shudras (dalits) were not supposed to attain priest
hood and learn Vedas. Moreover the Gurukul follows on Vedic system
instead of the caste system. Girls from different regions of the country
having different caste, including dalits, and some special guests from
foreign lands study here.

In his message, Swami Avimukateshwaranand Saraswati, the desciple of
Shankaracharya Swami Swaroopanand Saraswati, appreciated the Gurukul and
the Panini temple describing it as one of its kind which would attract
others towards the Indian culture.

A local resident Anand Kesari says: "We invite girls of Panini Kanya
Mahavidyalaya during our religious functions to perform Vedic mantras
every year. The way they perform rituals is highly appreciating and
accepted by all."

"The Vedic methods of these girls is very effective," says Rahul
Srivastava, a resident of Pandeypur. According to him, the 'karmakand'
(all 16 sanskars) performed by these girls at various homes of city is
so very methodological that his family always invites these girls for
offer religious rites at different occasions.

According to Acharya Priti, the girls were also invited by chief
minister of New Delhi to enchant Vedic mantras at a programme organised
by the Delhi government.
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