These are times of 'historians' getting exposed of their null knowledge of history. The Ayodhya verdict did a great job of exposing the 'secular' historians of their true worth. I don't know when our self- proclaimed 'drvidian' historian of Tamilnadu (Karunanidhi) is going to get a similar treatment and be made to stop meddling up with history.
His recent handiwork at bungling up history was seen in his autocratic style of getting the name of the author of Silappadhikaram attested to Bharata Muni, the eternal name connected with Natya sastra in whose name the legendry dancer of our times Padma Subramanyam wanted to establish a Foundation for research on performing arts of Asia.
The land for this foundation was originally allotted by Jayalalithaa. But when Karunanidhi came to power he withdrew the allotment. Such is the nature of this so-called art lover who donated land for cine artists recently. His grouse was that the nature of art and research was about "Aryan" or Sanskritised works.
This self styled historian's knowledge of history of Aryan or Dravidian is well known to us. "Amma" (jayalalithaa) is Aryan whereas "Annai" (Sonia) is Indian! Going by the basis of Karunanidhi's theory of who is Aryan, Sonia Gandhi fulfills the definition better than Jayalalithaa. I don't know who will tell this to him. Or he may be knowing this but reserving it for the ultimate time which he wishes not to appear – if Sonia snaps ties with him. Perhaps at that time we may hear Karunanidhi serving expletives on Aryan conspiracy of Sonia and Jayalalithaa to displace the Dravidian rule!
Well, coming to Karunanidhi's obsession with Ilango, his justification was that the author, Ilango adikal has described natya sastra in his book, Silappadhikaram. Bringing in Ilango's name is perhaps an excuse to give a go–ahead to the project of Padma Subramanian which he had stalled. Perhaps he wanted a Tamil- based excuse to allow that project.
Looking at some of the issues that arise from his interpretation of Ilango Adikal as a protagonist of Natya sastra,
Aryan-Dravidian touch to dance centre
Oct. 11: Chief minister M. Karunanidhi, who recently said in the wake of the Ayodhya verdict that Aryan culture had succeeded in planting superstitions in people's minds even while the true aspects of Dravidian history remained unknown, has now cleared a memorial for Bharata Muni, the author of Natya Shastra, a theoretical treatise on Indian classical dance.
The Dravidian leader has struck a compromise formula with famous Bharatanatyam dancer Padma Subramaniam to return the five acres of land for her trust to build the memorial. Under this pact, the centre would be named Bharata Elango Foundation for Asian Culture — Elango Adigal had authored the Tamil epic Silappathikaram, which contained an elaborate treatise on dance. The chief minister will himself lay the foundation stone on October 17.
Earlier, during the AIADMK regime, Ms Jayalalithaa had gifted the land near Mamallapuram to the Bharata Muni trust run by Ms Padma Subramaniam. Dravida Kazhagam president K. Veeramani and some other Dravidian scholars had criticised the gift as an attempt to Sanskritise Tamil culture.
Mr Karunanidhi, who has a passion for dance and drama, cancelled the land allocation as soon as he assumed office in 2006 since the centre had an Aryan tag.
Ultimately, the chief minister had a change of heart and a grateful Ms Padma Subramaniam authored the mega performance by 1,000 dancers at Thanjavur Big Temple millennium celebrations recently.
"The foundation is meant for research on performing arts and to promote awareness on the spiritual culture of Asia. It is not a training centre. A library will be named after Sankaracharya Chandrasekharendra Saraswathi and there will be a pan-Asian museum of performing arts," Ms Padma Subramaniam said. Extensive research has already begun. Artists and philosophers from Korea, Indonesia, Japan and Sri Lanka will visit for interactions.